Music Videos

The Choir of Trinity Wall Street and Trinity Baroque Orchestra perform the cantatas of Johann Sebastian Bach each week as part of “Bach at One.” A devout Lutheran, Bach composed 200 cantatas using both sacred and secular texts.

This week:
J. S. Bach – Allein Gott in der Höh' sei Her, BWV 662
BWV 149 – Man singet mit Freuden vom Sieg
BWV 146 – Wir müssen durch viel Trübsal in das Reich Gottes eingehen
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Julian Wachner, conductor

In the spring of 2016, Trinity’s ever-popular Bach at One series (Wednesdays at 1pm in St. Paul’s Chapel), will complete the presentation of Bach’s entire monumental output of sacred vocal music.

This week:
J. S. Bach – Allein Gott in der Höh' sei Her, BWV 662
BWV 149 – Man singet mit Freuden vom Sieg
BWV 146 – Wir müssen durch viel Trübsal in das Reich Gottes eingehen
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Julian Wachner, conductor

Share an afternoon of musical serenity and reflection with Downtown Voices, Lower Manhattan’s semiprofessional chorus, as they perform two contemplative and ultimately uplifting selections. The New York Times noted the “incisive, agile strength” of Downtown Voices in their debut performance in December 2015.

This week: NOVUS NY and The Choir of Trinity Wall Street featuring Mellissa Hughes and Jacquelyn Stucker, soprano, Melissa Attebury, alto, Vale Rideout, tenor, and Joseph Beutel, bass. Julian Wachner, conductor.

In the spring of 2016, Trinity’s ever-popular Bach at One series (Wednesdays at 1pm in St. Paul’s Chapel), will complete the presentation of Bach’s entire monumental output of sacred vocal music.

This week:
J. S. Bach – Jesus Christus unser Heiland, BWV 665
BWV 136 – Erforsche mich, Gott, und erfahre mein Herz
BWV 175 – Er rufet seinen Schafen mit Namen
BWV 183 – Sie werden euch in den Bann tun
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Julian Wachner, conductor

Apollo's Fire performs J.S. Bach's St. John Passion
From its roiling opening chorus to its compelling conclusion, J.S. Bach’s acclaimed St. John Passion, BWV 244, chronicles the final days of Jesus.

This week: Described by The New York Times as a cellist who performs "with unforced simplicity and beauty of tone," Jeffrey Zeigler is joined by pianist Pedja Muzijevic in this performance including works by Ginastera, Beethoven, and Richard Wilson.

In the spring of 2016, Trinity’s ever-popular Bach at One series (Wednesdays at 1pm in St. Paul’s Chapel), will complete the presentation of Bach’s entire monumental output of sacred vocal music.

This week:
Johannes Brahms – Intermezzo in E Major, op. 116, no. 4
BWV 124 – Meinen Jesum laß ich nicht
BWV 167 – Ihr Menschen, rühmet Gottes Liebe
BWV 168 – Tue Rechnung! Donnerwort
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Avi Stein, conductor

This week: Chamber Orchestra Kremlin
"Russia is popularly known for two things - its rockets and its violins. The Chamber Orchestra Kremlin is renowned for the latter, but their music will take you soaring as if somehow there is a connection to the former." —Andresen Dagbladet