Music Videos

Bach's Christmas Oratorio of joyous choruses, intimate arias and colorful orchestration depicts the Christmas story as a drama to rival his monumental passions.

1PM CONCERT
Luthien Brackett, mezzo-soprano
Sarah Brailey, soprano
Steven Hrycelak, bass
Timothy Parsons, countertenor
Timothy Hodges, tenor
Christopher Dylan Herbert, baritone
Timothy Long, piano

5PM CONCERT
Melissa Attebury, mezzo-soprano
Timonty Hodges, tenor
Linda Lee Jones, soprano
Edmund Milly, bass-baritone
Christopher Dylan Herbert, baritone
Chris Reynolds, piano

George Frideric Handel’s Messiah performed by the Trinity Baroque Orchestra and The Choir of Trinity Wall Street. Julian Wachner, conductor.

A concert by Trinity's ISO Florenteine Orchestra. In partnership with the InterSchool Orchestras of New York and the Florentine Music School, Trinity hosts this youth orchestra for beginner to intermediate instrumentalists, with players from Lower Manhattan, Brooklyn, Staten Island, and New Jersey.

This year Bach at One continues in the fall with the six motets, BWV 225-30, with which the cycle began, as well as other favorite cantatas, performed by The Choir of Trinity Wall Street and the Trinity Baroque Orchestra.

BWV 147 Herz und Mund und Tat und Leben
BWV 225 Singet dem Herrn ein neues Lied

Trinity presents Johann Sebastian Bach’s superlative Mass in B minor, performed by Trinity Baroque Orchestra and The Choir of Trinity Wall Street and conducted by Julian Wachner. Written at the end of his life, the Mass sums the entirety of Bach’s career into a transcendent masterpiece of hope and faith.

Described as “mold-breaking,” “alert and alive,” “dramatic,” and “vital” by The New York Times, Andy Akiho is an eclectic composer and performer of contemporary classical music who spent time busking on the subways with his primary instrument, the steel pan, also known as the steel drum. He will play solo to begin the concert, after which NOVUS NY will perform his works.

This year Bach at One continues in the fall with the six motets, BWV 225-30, with which the cycle began, as well as other favorite cantatas, performed by The Choir of Trinity Wall Street and the Trinity Baroque Orchestra.

BWV 228 Fürchte dich nicht

BWV 230 Lobet den Herrn, alle Heiden

BWV 4 Christ lag in Todes Banden