The Divine Muse series culminates on the eve of Saint Cecilia’s Feast Day, with two master works inspired by the patron saint of music: George Frideric Handel’s Ode for St. Cecilia’s Day Overture and Alessandro Scarlatti’s St. Cecilia Mass. Now rarely heard, the latter piece during its time was considered an equal to Bach’s Magnificat. Trinity’s adaptation by music librarian Harrison E. Joyce adds wind instruments to the original orchestration.
Trinity Choir; Trinity Baroque Orchestra; Melissa Attebury, director
The Trinity Movement Choir practices worship through sacred dance, a style of slow, dreamlike choreography that responds to spiritual and social issues. In this Advent season, experience messages of hope, joy, and peace through the medium of movement.
The Trinity Movement Choir practices worship through sacred dance, a style of slow, dreamlike choreography that responds to spiritual and social issues. In this Advent season, experience messages of hope, joy, and peace through the medium of movement.
The Trinity Movement Choir practices worship through sacred dance, a style of slow, dreamlike choreography that responds to spiritual and social issues. In this Advent season, experience messages of hope, joy, and peace through the medium of movement.
The Trinity Movement Choir practices worship through sacred dance, a style of slow, dreamlike choreography that responds to spiritual and social issues. In this Advent season, experience messages of hope, joy, and peace through the medium of movement.
The second installment of the Divine Muse series features Charles Gounod’s deeply moving but infrequently performed St. Cecilia Mass. Trinity’s adaptation replaces the rare string octobass (there’s only one performing instrument in the world!) with the lowest pipes of the magnificent new organ in the church’s nave. This uplifting celebration of St. Cecilia, the patron saint of music, also includes Jessica French’s “Strengthen for Service” and John Gardner’s “A Song for St. Cecilia’s Day.”
Brianna J. Robinson, soprano; Steven Caldicott Wilson, tenor; Enrico Lagasca, bass; Downtown Voices; NOVUS; Stephen Sands, conductor
Trinity Youth Chorus, Trinity Choral Scholars, and the contemporary orchestra NOVUS perform Gabriel Fauré’s Requiem in D Minor, opus 48. The contemplative masterwork is known for its lyrical beauty and a gentleness.
Trinity Youth Chorus and Trinity Choral Scholars; NOVUS; Melissa Attebury, director
This Bach at One is the first installment of Trinity’s Divine Muse series celebrating Saint Cecilia, whose spirituality and martyrdom have inspired countless works of art, literature, and music. Director of Music Melissa Attebury leads the Trinity Choir and the Trinity Baroque Orchestra in a tribute that includes Bach’s Komm, Jesu, komm; Gott der Herr ist Sonn und Schild, and Benjamin Britten’s Hymn to St. Cecilia — one of the best-known musical tributes to the saint.
Trinity Choir; Trinity Baroque Orchestra; Melissa Attebury, Director
Young virtuoso Clara Gerdes Bartz grew up in North Carolina and recently graduated from the Yale Institute of Sacred Music, where she studied with renowned professor Martin Jean. The organist has already established herself as a performer of prodigious technique and control. She received the Baker Prize in Organ Performance (2020) and the Julia Sherman Award for Excellence in Organ Playing (2021) and is an adjunct instructor of organ at Rider University’s Westminster Choir College.
The not-to-be-missed Jazz at One finale features a vibrant blend of traditional African music, contemporary hits, infectious energy — and a very special surprise guest.
This season’s Jazz at One, Long Walk to Freedom, is inspired by Nelson Mandela and the 30th anniversary of South African democracy. Presented in collaboration with JAZZ HOUSE KiDS.
