Spring 2026 Music Season
Join us this season for performances featuring emerging voices, visiting virtuosi, and our own peerless ensembles. Don’t miss the conclusion of Trinity’s renowned Messiah, the return of our beloved Concerts at One series featuring innovative jazz and revelatory early music, a world premiere for the 250th birthday of the United States, and more. Be sure to subscribe to our newsletter and follow us on Eventbrite for new concert announcements and to reserve your seats.
Sunday, May 31, 2026
Great Awakenings
The world premiere centers faith, conviction, and national identity
Commissioned by Trinity for the 250th birthday of the United States, Great Awakenings: John Henry Hobart and America is a powerful new concert opera by acclaimed composer (and former Trinity organist) David Hurd. With a libretto by Christopher Dylan Herbert, a former member of the Trinity Choir, the work brings to life a pivotal era in American religious and civic history by celebrating the visionary leadership of Bishop Hobart (1775–1830), Trinity’s seventh rector (1816-1830). Demonstrating vibrant choral writing and expressive solos, Great Awakenings will be performed with Trinity Choir, Downtown Voices, and NOVUS. NOVUS will also present Aaron Copland’s Appalachian Spring Suite for 13 instruments.
Melissa Attebury, conductor
Tuesday, June 2, 2026
Music at 250
A new generation celebrates the melodies of America — and the trailblazers who have too often been left off the program.
Join us for a celebration of our country’s jazz and classical roots, as three ensembles — musicians from NOVUS, students from the acclaimed Montclair State University CaliBrass Ensemble, and JAZZ HOUSE KiDS — team up to tell the ever-evolving story of America through its music.
Alongside iconic works by Aaron Copland, John Williams, and others, the ensembles will perform music by John Coltrane, Miles Davis, and three trailblazing women who helped shape the American music landscape. Listeners will hear music by Margaret Bonds, one of the first Black composers to gain fame in this country. A groundbreaker in her own right, Mary Lou Williams, sometimes called “the mother of bebop,” was a pianist, teacher, and composer who mentored not only Davis but Thelonius Monk and Charlie Parker. Also featured is Florence Price, a pioneering composer and the first Black woman to have a symphony performed by a major American orchestra. The night’s performers will also spotlight Sawney Freeman, the earliest-known published Black composer in America — in what might be the first time his work has been performed by a large brass ensemble.