Music Videos

J.S. Bach's St. Matthew Passion is revered as one of the quintessential masterpieces of western classical music. Originally premiered on Good Friday in 1727, The Passion According to St. Matthew, BWV 244, is a dramatic integration of scripture, new poetry, and great hymns of the Lutheran tradition. Bach's sublime setting creates a portrayal of the Passion that is both profoundly human and divine.

In the spring of 2016, Trinity’s ever-popular Bach at One series (Wednesdays at 1pm in St. Paul’s Chapel), will complete the presentation of Bach’s entire monumental output of sacred vocal music.

This week:
J. S. Bach – Fantasy and Fugue in G Minor, BWV 542
BWV 128 – Auf Christi Himmelfahrt allein
BWV 135 – Ach Herr, mich armen Sünder
BWV 179 – Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei
Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Julian Wachner, conductor

The GRAMMY-nominated ensemble Seraphic Fire performs Wolfgang Amadeus Mozart's Requiem, K. 626, with a new Sanctus, Benedictus and Agnus Dei by Gregory Spears, commissioned by Seraphic Fire. Learn more.

Huang Ruo – Dream of the Red Chamber
Hannah Lash – Beowolf
Stewart Copeland – The Invention of Moral
Sheila Silver – A Thousand Splendid Suns
Peformed by NOVUS NY
Julian Wachner, music director and conductor

This week, as part of the Twelfth Night Festival: Time's Arrow:
J. S. Bach – Prelude and Fugue in E Minor, BWV 548
BWV 215 Preise dein Glücke, gesegnetes Sachsen
BWV 232 – Mass in B-minor: Sanctus – Osanna – Dona nobis pacem

Trinity Baroque Orchestra and The Choir of Trinity Wall Street; Julian Wachner, conductor

Lang & Lorelei
The Lorelei Ensemble performs works of Pérotin, Scott Ordway, and David Lang
David Lang: The National Anthems (New York premiere of Trinity Wall Street co-commission), Ark Luggage

In the spring of 2016, Trinity’s ever-popular Bach at One series will complete the first presentation of Bach’s entire monumental output of sacred vocal music.

This week, as part of Trinity's Twelfth Night Festival:
BWV 110, Unser Mund sei voll Lachens
BWV 207, Vereinigte Zwietracht der wechselnden Saiten
The Choir of Trinity Wall Street and Trinity Baroque Orchestra; Julian Wachner, conductor

Ars Subtilior & A Letter of Rights
Tarik O'Regan/Alice Goodman: A Letter of Rights (U.S. premiere)
TENET: Jolle Greenleaf, artistic director; Robert Mealy, music director
The Choir of Trinity Wall Street with NOVUS NY
Julian Wachner, conductor

In the spring of 2016, Trinity’s ever-popular Bach at One series will complete the first presentation of Bach’s entire monumental output of sacred vocal music.

​​​​​​​This week, as part of Trinity's Twelfth Night Festival:
Georg Muffat: Passacaglia
BWV 115, Mache dich, mein Geist, bereit
BWV 205, Zerreißet, zersprenget, zertrümmert die Gruft
The Choir of Trinity Wall Street and Trinity Baroque Orchestra; Julian Wachner, conductor

Play of Daniel
Gotham Early Music Scene (GEMS)