Organist Nicole Keller has performed in venues around the globe, including St. Patrick’s Cathedral, Cathédrale Notre-Dame, and The Kazakh National University for the Arts. The assistant professor of music at the University of Michigan is also in demand as an instructor and guest lecturer, most recently at the Curtis Institute of Music in Philadelphia and Yale University. She is known for bringing a freshness to pieces old and new, especially Bach and such 20th-century American composers as Florence Price and Calvin Hampton.
Join us to celebrate the birthday of late jazz master Dizzy Gillespie, with the Dizzy Gillespie Afro-Latin Experience directed by John Lee. The concert promises to be a rousing tribute to one of jazz’s great ambassadors: trumpeter, composer, bandleader, and bebop king.
This season’s Jazz at One, Long Walk to Freedom, is inspired by Nelson Mandela and the 30th anniversary of South African democracy. Presented in collaboration with JAZZ HOUSE KiDS.
“Jesus flips the script on greatness,” writes the Rev. Yein Kim. “True glory comes not from being the best, not from the desire to be noticed, not from self-importance and making your mark, but through service.”
The Trinity Movement Choir practices worship through sacred dance, a style of slow, dreamlike choreography that responds to spiritual and social issues. In this season of division, take a moment to experience a message of hope through the medium of movement.
The Trinity Movement Choir practices worship through sacred dance, a style of slow, dreamlike choreography that responds to spiritual and social issues. In this season of division, take a moment to experience a message of hope through the medium of movement.
With a powerful New York premiere, composer Gabriel Kahane confronts the experience of being homeless as Trinity’s music ensemble, NOVUS, dives heart first into a new season.
Bach never wrote an opera, but this concert features the closest approximation we have: the exquisite monologues and duets of his cantatas Vergnügte Ruh, beliebte Seelenlust and Liebster Jesu, mein Verlangen. Cantata 32 uses the poetry of the Song of Songs to model a dialogue between Jesus, the expression of the divine, and Soul, embodying humanity.
Elisse Albian, soprano; Elisa Sutherland, alto; Enrico Lagasca, bass; Trinity Baroque Orchestra; led by Avi Stein, organ
