For today’s installment of Comfort at One, we present a St. Paul’s Chapel Choir at-home performance of the timely and beautiful composition God Be With You Till We Meet Again by Ralph Vaughan Williams, directed by organist Janet Yieh.
Today for Comfort at One, we continue presenting past Bach performances. This week, members of The Choir of Trinity Wall Street, alongside New York Baroque Incorporated and organist Avi Stein, bring us works by Bach, Buxtehude, and Heinichen in Bach at One: Law, performed in 2017.
Today’s Comfort at One presents a holiday performance from 2014: Benjamin Britten’s St. Nicolas, A Boy was Born, and Julian Wachner’s Regina Coeli, featuring NOVUS NY, Downtown Voices, Trinity Youth Chorus, and The Choir of Trinity Wall Street.
Today’s Comfort at One: Twelfth Night Festival edition is Spire and Shadow, commissioned by Trinity Church Wall Street and written for Downtown Voices and NOVUS NY. Spire and Shadow, which premiered at Trinity in January 2017, celebrates the 250th anniversary of the opening of St. Paul's Chapel.
Comfort at One includes a special Bach concert today: Avi Stein leads the December 26, 2014 Twelfth Night Festival performance of Bach’s Orchestral Suites, featuring Trinity Baroque Orchestra musicians, performing on historic instruments.
For today’s choral Comfort at One, we have a special holiday concert: “Nöel et La Vierge Marie: a Franco-Flemish Christmas Celebration” was presented in 2013 as part of the Twelfth Night Festival. Join us in the 15th century as we say farewell to 2021.
Celebrate the coming of the new year with a spirited performance by the Bishop’s Band in today’s installment of Comfort at One. In 2014, the Bishop’s Band presented Codex II, a concert dedicated to Martínez Compañón’s book, music from the late 18th-century from the Codex Trujillo del Perú.
Trinity’s early music Twelfth Night Festival was a highlight of New York’s holiday season for several years. Today we present Bach’s Christmas Oratorio, BWV 248 (parts five and six). These choruses, intimate arias, and colorful orchestrations depict the Christmas story as a drama to rival his monumental passions.