In 2015, Glatter-Götz Orgelbau of Pfullendorf, Germany, with Manuel Rosales as tonal designer, were engaged to envision a new instrument for the nave of Trinity Church.
The new organ is conceived along the lines of its predecessors, a united instrument of 113 independent stops between chancel and gallery sections. The chancel has 28 stops across Great, Swell, Positiv, Solo, and Pedal. The gallery’s 85 stops are apportioned among Great, Swell, Choir, Rückpositiv, Solo, and Pedal. Watch the behind the scenes of building this great instrument.
Watch the highlight discussion between Bruni and the Rev. Phillip A. Jackson about how the U.S. got here and what it will take to break the hold of our grudges.
Pulitzer Prize-winning author Marilynne Robinson discusses her new book, Reading Genesis, “a powerful consideration of the profound meanings [of scripture] and promise of God’s enduring covenant with humanity.”
In part two of her series on stained glass at Trinity Church Wall Street, Dr. Susan Ward explores the evolving theology demonstrated by the stained glass in the Chapel of All Saints.
Susan Ward, art professor, Vestry member, and parishioner of Trinity Church Wall Street, leads a tour of the stained glass in the nave of Trinity Church.