Comfort at One presents our second installment with Amplify Female Composers, a new platform Carolyn Craig and Janet Yieh. In today’s video, The Choir of Trinity Wall Street performs selections from “A Great Host of Composers” database: Stephanie Martin’s Ave Verum Corpus, Melissa Dunphy’s If thou wilt be perfect, Eleanor Daley’s Come, Renew us, Undine Smith Moore’s I Will Trust in the Lord, and Elaine Hagenberg’s When We Love.
“Mental Health in Transition” is a three-part virtual panel series presented by Fountain House in partnership with Trinity Church Wall Street to discuss issues around mental health, equity, and policy in New York City.
Today’s Comfort at One features a special Halloween Pipes at One recital from October 31, 2019, performed by Trinity’s Director of Music, Julian Wachner.
Comfort at One continues presenting Bach at One on Mondays, this week with a cantata that focuses on Mary, mother of Jesus: Wie schön leuchtet der Morgenstern, BWV 1, paired with Herr Gott, dich loben wir, BWV 16. This concert features soloists Sarah Brailey, Melissa Attebury, Owen McIntosh, and Jonathan Woody from The Choir of Trinity Wall Street, accompanied by the expert musicians of Trinity Baroque Orchestra.
Because of his faith, [Bartimaeus] sees more than the sighted. And he not only sees Jesus, but follows him “on the way,” renouncing what little he has. Bartimaeus, it seems, may understand the demands of discipleship more than the disciples do.
Comfort at One continues our Wednesday series of Choral Meditations, recorded this past summer by The Choir of Trinity Wall Street. Today's performance features Haec dies by William Byrd; A Hymn to the Virgin by Benjamin Britten; and Herbert Howells’ Like as the hart desireth the waterbrooks and A Hymn for St. Cecilia.
