History and Archives Videos

All Saints’ Day is part of Allhallowtide, a three-day period set aside for remembering loved ones who have died.

In 2015, Glatter-Götz Orgelbau of Pfullendorf, Germany, with Manuel Rosales as tonal designer, were engaged to envision a new instrument for the nave of Trinity Church.

The new organ is conceived along the lines of its predecessors, a united instrument of 113 independent stops between chancel and gallery sections. The chancel has 28 stops across Great, Swell, Positiv, Solo, and Pedal. The gallery’s 85 stops are apportioned among Great, Swell, Choir, Rückpositiv, Solo, and Pedal. Watch the behind the scenes of building this great instrument.

A video explaining how the Trinity calendar changed in 1752 and the adjustments that required

This 2009 story explains the long and unique relationship between two churches on either side of the Atlantic Ocean.

This segment in the series Ask Trinity Archives recounts the famous visitors to Trinity Church Wall Street and St. Paul's Chapel.

Thomas Denny describes the stained-glass window he created based on the Parable of the Talents.

In part two of her series on stained glass at Trinity Church Wall Street, Dr. Susan Ward explores the evolving theology demonstrated by the stained glass in the Chapel of All Saints.

Susan Ward, art professor, Vestry member, and parishioner of Trinity Church Wall Street, leads a tour of the stained glass in the nave of Trinity Church.

A video that explores the rich history of Trinity Church Cemetery and Mausoleum in Hamilton Heights.

Trinity and Handel’s Messiah go back a long way together, 250 years to be exact, and the earliest performances came with colorful stories of people from the days when New York City was just a small village. Watch this episode of Ask Trinity Archives with archivists Joe Lapinski and Marissa Maggs.